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In Spain, in the sixteenth century, an elderly gentleman named Don Quixote has gone mad from reading too many books on chivalry. Proclaiming himself a knight, he sets out with his squire, Sancho Panza, to reform the world and revive the age of chivalry, choosing a slut to be his noble lady Dulcinea. He mistakes inns for castles, a play about chivalry for the real thing, flocks of sheep for armies, convicts for wronged prisoners, and windmills for giants. While he and Sancho are off on their adventures, his niece, her fiancee, and the local priest think up a strategy to get him back home.
When the villagers of Klineschloss start dying of blood loss, the town fathers suspect a resurgence of vampirism. While police inspector Karl remains skeptical, scientist Dr. von Niemann cares for the vampire’s victims one by one, and suspicion falls on simple-minded Herman Gleib because of his fondness for bats. A blood-thirsty mob hounds Gleib to his death, but the vampire attacks don’t stop.
Strictly Personal is a 1933 American Pre-Code drama film directed by Ralph Murphy and written by Beatrice Banyard, Willard Mack, Wilson Mizner, Casey Robinson and Robert T. Shannon. The film stars Marjorie Rambeau, Dorothy Jordan, Eddie Quillan, Edward Ellis, Louis Calhern, Dorothy Burgess and Rollo Lloyd. The film was released on March 17, 1933, by Paramount Pictures
Friday the Thirteenth is a 1933 British drama film directed by Victor Saville and starring Jessie Matthews, Sonnie Hale and Muriel Aked. It is pouring with rain at one minute to midnight on Friday the thirteenth, and the driver of a London bus is peering through his blurred windscreen as his vehicle sails down an empty road. Suddenly, lightning strikes, and a vast crane above topples into the path of the oncoming bus… Then Big Ben begins to wind backwards. Time recedes. And we discover the lives of all the passengers and the events that brought them to that late-night bus journey, from the con-man with a hundred-pound cheque to the businessman’s distraught and elderly wife. Time flows on, inevitably, to the crash — and past it, as some live and some die.
Aga Ben Dragore, a knife-wielding, enigmatic Egyptian Arab, is seeking a sacred jewel which has been stolen from an ancient tomb. The thief tells him that he sold it to Professor Morlant, a fanatical Egyptologist who fervently believes in the pagan power of the ancient Egyptian gods. Dying from a mysteriously disfiguring ailment, Morlant entrusts his faithful manservant to bandage the jewel in his hand and warns him of dire consequences if his dying wishes aren’t carried out. After his burial in an Egyptian-type tomb on his estate, an anonymous robber steals the precious stone from the corpse. Although the ghastly-looking dead man rises at the next full moon to seek revenge, neither he nor the audience know which member of the household possesses the powerful jewel
Reporter Joe Miller is sure that fisherman Eli Kirk smuggles illegal Chinese immigrants into the country, but can’t obtain enough evidence to satisfy his editor. Chance plays into his hands in the lovely form of Kirk’s daughter, Julie, whom he catches swimming in the nude and pumps for information. But she’s fiercely loyal to her dad, and may be too attractive for Joe’s own good. Racy pre-Code sexual situations.
In London, a secret society led by lawyer Thaddeus Merrydew collects the assets of any of its deceased members and divides them among the remaining members. Society members start dropping like flies. Sherlock Holmes is approached by member James Murphy’s widow, who is miffed at being left penniless by her husband. When Captain Pyke is shot, Holmes keys in on his mysterious Chinese widow as well as the shady Merrydew. Other members keep dying–Malcom Dearing first, then Mr. Baker. There is also an attempt on the life of young Eileen Forrester, who became a reluctant society member upon the death of her father. Holmes’ uncanny observations and insights are put to the test.

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