Mystery

The fifth and last of the Ben Schwab productions starring Bill Elliott as a L.A. sheriff’s department detective begins with Henry Johnson being sought by the sheriff’s office for the murder of his neighbor and friend,Fred Horner, whose strangled body was found in Johnson’s motel apartment. Lieutenant Andy Doyle of the Los Angeles sheriff’s department learns that Johnson had been an avid card-playing gambler, and had frequently argued violently with the deceased. Trailing Johnson’s fiancée, Mary Raikin, the police capture Johnson, who insists he did not kill Horner, but fled in panic when he discovered Johnson’s body in his room after an absence of only a few minutes. It is discovered that a wealthy tenant of an adjacent motel, Bradbury, bears a resemblance to the murdered man, and in order to set him up as a decoy, Doyle suggests the Bradbury spread the word he is leaving for his home the next day. That night, the real killer,Pat Orvello, sneaks into Bradbury’s room to rob him, but is…

Bill Crane, a private detective with no weakness as an investigator but large ones for blondes and straight-whiskey, gets a call from his attorney friend, Charles Frazee, with a request to find evidence that will free Robert Westland, who is under death sentence for murdering his wife. Crane immediately runs into a barrage of machine-gun fire, and a blonde, Agatha Hogan, only slightly less dangerous. After a night of wine, women and song, Crane picks up a clue that may aid Wstland. With the help of a deep-sea diver, a stop watch, and a taxicab driver, he is sprinting after the real culprit…just as Westland is starting his last mile to the electric chair.
Lamont Cranston assumes his secret identity as “The Shadow”, to break up an attempted robbery at an attorney’s office. When the police search the scene, Cranston must assume the identity of the attorney. Before he can leave, a phone call summons the attorney to the home of Delthern, a wealthy client, who wants a new will drawn up. As Cranston meets with him, Delthern is suddenly shot, and Cranston is quickly caught up in a new mystery. Directed by Lynn Shores
Pete and Ellen have reared Meg as their own, ever since she was a baby and her parents took off. Now a teen, Meg convinces her friend Nath to come help with chores on the farm: Pete isn’t getting around on his wooden leg like he used to. When Nath insists on using a short cut home through the woods, Pete gets quite agitated and warns him of screams in the night, of terrors associated with the red house. Curious, Meg and Nath ignore his warnings and begin exploring. Meg begins falling in love with Nath, but his girlfriend Tibby has other plans for him. Meanwhile they all get closer to real danger and the dark secret of the red house.
A mad killer is on the loose in a hotel on a dark, gloomy night.