Directed by John H. Auer and released by Republic Pictures, Rhythm in the Clouds is a lighthearted musical comedy that blends mistaken identity, romantic entanglements, and the bustling world of radio advertising. With a screenplay co-written by Olive Cooper and Nathanael West—yes, the same West who wrote The Day of the Locust—the film offers a quirky glimpse into 1930s showbiz ambition.
Plot Summary
Judy Walker (Patricia Ellis), a struggling songwriter, finds herself evicted and desperate. She stumbles upon an opportunity to impersonate a famous composer, Phil Hale, who’s conveniently away on vacation. Using his luxurious Park Avenue apartment and name, she submits her own music to an advertising agency. Her compositions—credited to Hale—catch the attention of cosmetics mogul Maggie Conway, who wants them for her radio show.
Complications arise when lyricist Bob McKay (Warren Hull), who has a personal feud with Hale, is hired to collaborate on the project. Unaware of Judy’s deception, Bob falls for her, while the real Hale is summoned back early. The tangled web of mistaken identities, romantic sparks, and musical ambition leads to a screwball-style resolution.
Cast Highlights
- Patricia Ellis as Judy Walker
- Warren Hull as Bob McKay
- William Newell as Clyde Lyons
- Richard Carle as J.C. Boswell
- Zeffie Tilbury as Maggie Conway, the Duchess de Lovely
- Charles Judels, Robert Paige, Joyce Compton, and Suzanne Kaaren in supporting roles
Behind-the-Scenes Notes
- The film was considered an A-grade production by Republic Pictures, aiming to compete with bigger studios like MGM and Paramount
- Nathanael West’s involvement as a screenwriter is a curious footnote—his literary style is far more cynical than the film’s bubbly tone
- The musical number “Mad Symphony” plays a central role in the plot, though the score itself is largely forgotten today
- The film runs 62 minutes, with a shorter 53-minute edited version also released
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