Directed by Nicholas Webster and released by Embassy Pictures, Santa Claus Conquers the Martians is a gloriously campy sci-fi holiday comedy that has earned its place as one of the most infamous cult films of all time. With a budget of around $200,000, the film was shot in just a few weeks in New York, using leftover sets, bargain costumes, and a script that feels like it was written during a sugar rush.
Plot Summary
On Mars, children are growing listless and joyless due to their rigid, emotionless upbringing. The Martian leader Kimar (Leonard Hicks) decides the solution is to kidnap Santa Claus (John Call) and bring Christmas to Mars. Along the way, two Earth children—Billy and Betty Foster—are also abducted, and the Martians must contend with the villainous Voldar (Vincent Beck), who believes Santa’s cheer is a threat to Martian discipline.
Santa sets up a toy factory on Mars, aided by the bumbling Martian Dropo (Bill McCutcheon), and eventually teaches the Martians the value of laughter, generosity, and holiday spirit. The film ends with Dropo becoming Mars’s own Santa Claus, while the real one returns to Earth.
Cast Highlights
- John Call as Santa Claus
- Leonard Hicks as Kimar
- Vincent Beck as Voldar
- Bill McCutcheon as Dropo
- Pia Zadora (age 8) as Girmar, in her film debut
- Donna Conforti, Victor Stiles, and Leila Martin in supporting roles
Behind the Scenes Trivia
- The film was shot at Michael Myerberg Studios in Long Island, using cardboard sets, spray-painted costumes, and vacuum cleaner hoses as Martian gear.
- The Martian green makeup reportedly rubbed off on everything, including the sets and other actors.
- Pia Zadora, who played young Girmar, would later become a Golden Globe-winning actress and singer—though this debut was often mocked in retrospectives.
- The film’s theme song, “Hooray for Santa Claus”, was written by Milton DeLugg and performed by children from a local school. The lyrics include the infamous line: “S-A-N-T-A C-L-A-U-S, Hooray for Santy Claus!”
- It was featured on Mystery Science Theater 3000, Elvira’s Movie Macabre, and the Canned Film Festival, cementing its reputation as one of the “best worst movies” ever made.
Legacy
Santa Claus Conquers the Martians is a holiday cult classic, beloved for its earnest absurdity and low-budget charm. It’s regularly cited in “worst films ever made” lists, but its unintentional humor, retro futurism, and pure-hearted weirdness have made it a favorite for late-night screenings and ironic holiday marathons. It’s a film that fails spectacularly, but in doing so, becomes unforgettable.
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