Directed by William J. Hole Jr., The Devil’s Hand is a low-budget occult thriller that taps into early 1960s anxieties around cults, mysticism, and erotic obsession. Though filmed in 1959, it wasn’t released until 1961 due to financial issues at Rex Carlton Productions, and was eventually distributed by Crown International Pictures.
Plot Summary
Rick Turner (Robert Alda) is plagued by recurring visions of a mysterious woman dancing in the clouds. One night, he’s drawn to a doll shop where he finds a doll that perfectly resembles her. The shop owner, Frank Lamont (Neil Hamilton), insists Rick ordered it—though Rick has never met the woman. Rick’s girlfriend Donna (Ariadna Welter) spots a doll that looks like her, but Lamont refuses to sell it.
As Rick becomes entangled with the alluring Bianca Milan (Linda Christian), he’s pulled into a cult that worships Gamba, the Great Devil God. Bianca reveals that Rick’s visions were the result of “thought projection,” and soon he’s attending ritual sacrifices and facing the terrifying consequences of his initiation. Meanwhile, Donna suffers mysterious pains whenever her doll is stabbed, and Rick must decide whether to escape the cult or embrace its dark power.
Cast Highlights
- Robert Alda as Rick Turner
- Linda Christian as Bianca Milan
- Ariadna Welter as Donna Trent
- Neil Hamilton as Frank Lamont
- Gertrude Astor, Michael Granger, and Gene Craft in supporting roles
Behind-the-Scenes Trivia
- The film was shot quickly, and according to Linda Christian, not all cast members were paid due to the studio’s financial troubles
- Christian’s sister, Ariadna Welter, was reportedly so disappointed by the experience that she considered quitting American films altogether
- The bongo player in the cult scenes is Chaino (Leon Johnson), a real-life exotica musician known for his tribal percussion albums
- The script originally emphasized magic and witchcraft, but producers shifted the focus to devil worship, which frustrated the cast
- Robert Alda expressed dissatisfaction with the final cut, saying it strayed too far from the original concept
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