The Dungeon of Harrow (1962)

Directed, co-written, and co-edited by Pat Boyette, The Dungeon of Harrow is a regional Gothic horror film released in 1964, though often cited as a 1962 production due to its filming timeline. Shot in and around San Antonio, Texas, this low-budget independent feature channels the spirit of Roger Corman’s Poe adaptations, but with a uniquely Southern grit and surreal tone. It stars Russ Harvey, who also co-produced the film, alongside William McNulty and Helen Hogan.

Plot Overview

After a shipwreck, aristocrat Aaron Fallon (Russ Harvey) washes ashore on a remote island ruled by the deranged Count Lorente de Sade (William McNulty). The Count lives in a decaying castle with his leprous wife and a cadre of twisted servants. Fallon is taken prisoner and subjected to psychological torment, sadistic games, and cryptic warnings from other captives. As he attempts to escape, he uncovers the full extent of the Count’s madness and the horrors lurking in the castle’s dungeon.

Cast

• Russ Harvey as Aaron Fallon
• William McNulty as Count Lorente de Sade
• Helen Hogan as Cassandra
• Michele Buquor, Maurice Harris, Eunice Grey, and Henry Garcia in supporting roles

Production Notes & Trivia

• Pat Boyette was a San Antonio TV anchorman and later a comic book artist for Charlton Comics; he also composed the score using public domain music and designed the film’s poster
• The film was distributed by Herts-Lion International Corp., a company known for handling niche exploitation and horror titles
• Despite its limited budget, Boyette used creative lighting, voiceover narration, and claustrophobic set design to evoke a sense of dread
• The film’s tone is dreamlike and disjointed, with long monologues and surreal pacing that divide audiences between admiration and frustration
• The Count’s name—de Sade—is a direct nod to the Marquis de Sade, reinforcing the film’s themes of cruelty and psychological decay
• The castle interiors were built on a shoestring budget, with many scenes relying on static camera setups and theatrical blocking
• Though not widely released theatrically, the film found a second life in late-night TV syndication under alternate titles like Dungeons of Horror

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