The Terror is a 1963 American independent horror film directed by Roger Corman, starring Boris Karloff and a young Jack Nicholson. Though often mistaken as part of Corman’s Edgar Allan Poe cycle, the film is not based on any Poe story, but it borrows heavily from Poe-like themes—haunted castles, ghostly women, and psychological torment.
Plot Summary
Set in 1806, the story follows André Duvalier (Nicholson), a lost French soldier who encounters a mysterious woman named Helene (Sandra Knight) near a seaside castle. She resembles Ilsa, the deceased wife of Baron von Leppe (Karloff), who claims she died 20 years earlier. As André investigates, he uncovers a dark secret involving murder, guilt, and supernatural manipulation by a peasant witch named Katrina. The film spirals into a surreal gothic mystery where reality and illusion blur.
Production Mayhem & Trivia
- Shot in just four days using leftover sets from The Raven (1963), with Karloff’s scenes completed in that time
- The rest of the film took nine months to finish, making it the longest production of Corman’s career
- Five directors contributed: Roger Corman, Francis Ford Coppola, Jack Hill, Monte Hellman, Dennis Jakob—and even Jack Nicholson himself directed some scenes
- Nicholson nearly drowned filming in the surf at Big Sur
- The castle flood finale replaced Corman’s usual “fire climax,” a major shift in his formula
Cast Highlights
- Boris Karloff as Baron von Leppe
- Jack Nicholson as André Duvalier
- Sandra Knight as Helene / Ilsa
- Dick Miller, Dorothy Neumann, and Jonathan Haze in supporting roles
Comments are closed, but trackbacks and pingbacks are open.