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Crime

Blues in the Night (1941)

Directed by Anatole Litvak and written by Robert Rossen, Blues in the Night is a unique blend of musical drama and film noir, released by Warner Bros. in 1941. The film takes its name from the now-iconic song “Blues in the Night”, composed by Harold Arlen with lyrics by Johnny Mercer, which earned an Academy Award nomination for Best Original Song.

Plot Summary
Jazz pianist Jigger Pine (Richard Whorf) meets clarinetist Nickie Haroyen (Elia Kazan, in a rare acting role) in a St. Louis bar brawl. Inspired by a blues tune sung by a fellow inmate in jail, they form a band with dreams of capturing the authentic sound of American jazz. Their journey takes them to New Orleans and eventually to a roadhouse in New Jersey called The Jungle, run by shady characters with criminal pasts.

As the band gains popularity, personal tensions rise—especially when seductive singer Kay Grant (Betty Field) manipulates the affections of multiple band members. The film explores themes of artistic integrity, romantic obsession, and the corrosive influence of fame and crime.

Cast Highlights

  • Priscilla Lane as Character, the band’s soulful vocalist
  • Richard Whorf as Jigger Pine
  • Betty Field as Kay Grant
  • Lloyd Nolan as Del Davis, the gangster
  • Jack Carson as Leo, the trumpeter
  • Elia Kazan as Nickie Haroyen
  • William Gillespie, Howard Da Silva, and Peter Whitney in supporting roles

Behind-the-Scenes Trivia

  • Elia Kazan, later a legendary director, appears as Nickie before his directorial fame—and before his controversial testimony to HUAC
  • Humphrey Bogart and George Raft both turned down the role of Jigger Pine
  • The melody for “The Man That Got Away” was originally written for this film as “I Can’t Believe My Eyes”, but Harold Arlen disliked the lyrics and shelved it until A Star Is Born (1954)
  • The film was originally titled Hot Nocturne, based on an unproduced play by Edwin Gilbert
  • The band is described not just as a group, but as “a unit—one guy multiplied five times,” emphasizing their emotional and musical cohesion

Legacy
Blues in the Night stands out for its moody tone, jazz-infused soundtrack, and noir sensibility. It’s a rare musical that doesn’t shy away from darkness, and its title song became a standard, covered by legends like Ella Fitzgerald and Frank Sinatra. The film remains a compelling snapshot of 1940s American cinema, where genre boundaries were meant to be bent.

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Directors

A. Edward Sutherland Alfred Hitchcock Allan Dwan Anthony Mann Bert I. Gordon Charles Lamont Edgar G. Ulmer Edward F. Cline Frank Capra Frank McDonald Fritz Lang George Marshall Henry Hathaway Henry King Irving Pichel James Whale John Cromwell John Ford Joseph H. Lewis Kurt Neumann Larry Buchanan Leigh Jason Lesley Selander Lewis Milestone Lew Landers Michael Curtiz Norman Z. McLeod Phil Karlson Phil Rosen Ray Enright Robert F. Hill Robert Florey Robert N. Bradbury Roger Corman Roy William Neill Sam Newfield Sidney Lanfield Steve Sekely W. Lee Wilder Wallace Fox Walter Lang William A. Seiter William Beaudine William Castle William Nigh

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